Tuesday, June 28, 2011
Animoto - Cobra Health Alternative
via animoto.com
COBRA Alternatives Cost Less http://tinyurl.com/CobraHealv
The Economic Recovery Act was created to help you save on COBRA coverage, but that assistance expired in May of 2010. Now COBRA is 68% more expensive than it was with the subsidy! In fact, the average COBRA family plan costs $1,069 a month.4
The good news is that there are more affordable options, and CobraHealthAlternatives.com can help you find the coverage you need at a price that you can afford.
Monday, June 20, 2011
Rita Hayworth Smoking
Rita Hayworth born May 14, 1919 as Margarita Carmen Cansino in Brooklyn New York. From the age of 3 and on she trained as a dancer and eventually under her uncle Angel Cansino at Carnegie Hall where other famous Hollywood luminaries, including James Cagney and Jean Harlow, received specialized training from Cansino himself. Hayworth's rise to fame was a silver lining of the Great Depression. Hayworth had an awkward transition from teen nightclub dancer to major movie star. She was a dancer first and foremost; acting was an afterthought seen as a way to earn a living.
At 17 she was dropped from the movie Ramona 1935 which was a big disappointment but did not give up so by 1941 she was one of the hottest pinup girls admired by millions of servicemen. Rita Hayworth was called the "Love Goddess". (One biopic and one biography used the moniker in reference to her.) Despite being a sex symbol, due to her Spanish heritage of female decency she showed discretion. "Everybody else does nude scenes," Hayworth said, "but I don't. I never made nude movies. I didn't have to do that. I danced. I was provocative, I guess, in some things. But I was not completely exposed.
For three consecutive years, starting in 1944, Rita Hayworth was named one of the top movie box office attractions in the world. In 1944, she made one of her best-known films, the Technicolor musical Cover Girl (1944), with Gene Kelly. The film established her as Columbia's top star of the 1940s. Hayworth was adept in ballet, tap, ballroom, and Spanish routines. Cohn continued to effectively showcase Hayworth's talents in Technicolor films: Tonight and Every Night (1945), with Lee Bowman, and Down to Earth (1947), with Larry Parks.
Although she was an enormous box office draw she also had some ups and downs with Columbia Pictures and Harry Cohn. Riat was suspended several times for refusing to appear in some movies. During this period in Hollywood actors did not get to choose their films as they do today; they also had salaries instead of a fixed amount per picture.) In 1945, Hayworth received notice of her suspension by her employers, Columbia Pictures, "on the day she entered the maternity hospital in Hollywood.
Hayworth was still upset with Columbia and its head Harry Cohn many years after her film career had ended and he was dead. "I used to have to punch a time clock at Columbia," lamented Hayworth. "Every day of my life. That's what it was like. I was under exclusive contract –
At 17 she was dropped from the movie Ramona 1935 which was a big disappointment but did not give up so by 1941 she was one of the hottest pinup girls admired by millions of servicemen. Rita Hayworth was called the "Love Goddess". (One biopic and one biography used the moniker in reference to her.) Despite being a sex symbol, due to her Spanish heritage of female decency she showed discretion. "Everybody else does nude scenes," Hayworth said, "but I don't. I never made nude movies. I didn't have to do that. I danced. I was provocative, I guess, in some things. But I was not completely exposed.
For three consecutive years, starting in 1944, Rita Hayworth was named one of the top movie box office attractions in the world. In 1944, she made one of her best-known films, the Technicolor musical Cover Girl (1944), with Gene Kelly. The film established her as Columbia's top star of the 1940s. Hayworth was adept in ballet, tap, ballroom, and Spanish routines. Cohn continued to effectively showcase Hayworth's talents in Technicolor films: Tonight and Every Night (1945), with Lee Bowman, and Down to Earth (1947), with Larry Parks.
Although she was an enormous box office draw she also had some ups and downs with Columbia Pictures and Harry Cohn. Riat was suspended several times for refusing to appear in some movies. During this period in Hollywood actors did not get to choose their films as they do today; they also had salaries instead of a fixed amount per picture.) In 1945, Hayworth received notice of her suspension by her employers, Columbia Pictures, "on the day she entered the maternity hospital in Hollywood.
Hayworth was still upset with Columbia and its head Harry Cohn many years after her film career had ended and he was dead. "I used to have to punch a time clock at Columbia," lamented Hayworth. "Every day of my life. That's what it was like. I was under exclusive contract –
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